Excerpt from The Musician's Daughter
by Susanne Dunlap
I thought a lot, at the beginning, about my father playing the violin. I still remember the first time I ever saw a concert. I was very small, and we had just come to Esterhaza, a magnificent palace in Sopron, Hungary, when the prince's household moved there from his winter palace, at Eisenstadt, near Vienna. I think it may have been the first concert Papa took part in there. I had a new dress for the occasion, and Mama looked beautiful. I don't think Toby was born yet, or if he was, he was a small baby and stayed in our rooms with a nurse.
The palace at Esterháza was so new that it still smelled of raw wood and paint. The rooms were very grand. I had never seen so many candles in one place before. And they were expensive wax candles, not foul-smelling tallow. We stood to the side to watch the fine ladies enter. I thought they looked like dolls; their faces were so perfect. Later my mother told me that they painted them with white lead to make their skin artificially smooth and pale, and then rubbed rouge into their cheeks and lips, and drew lines of charcoal around their eyes so they would appear larger. And the headdresses-in those days the fashion was to have hair that towered up, stuck into place with diamond combs, with ribbons and pearls festooned around. And no matter what color it was naturally, ladies powdered their hair to snowy whiteness, so that the light of the candies was magnified by the glow from the people themselves.
And the men, too, were powdered and patched. Their gold buttons and lace were almost as gaudy as the ladies' finery. But the enormous panniers that held the ladies' skirts out to the side so far that they had to move sideways through doorways fascinated me most of all. I could barely be persuaded to turn my eyes to the orchestra when the concert started.
We were not seated with the guests. In fact, I think we were tucked away in an anteroom. The door was open so we could see through, and everyone pushed me forward to let me watch my father, who looked up now and again from the music and gave me a quick smile. The candlelight danced over the rich wood of his violin, the beautiful Italian instrument, an old Amati, that my grandfather had given him. Kapellmeister Haydn-who was also my godfather-sat at the harpsichord, smiling broadly all the time, waving one hand in the air to direct, then putting it back on the keys and instead using his head, bobbing and nodding to bring the winds in, or to indicate the entrance for the cellos. He looked like the music, 1 remember thinking. I wish I could bring that particular sound to my mind, but it has since blended with countless, other concert. I’ll always remember what it looked like, though. The light shimmering glow of everything and everyone.
sselect two of the four details from the excerpt into the chart to show which main idea each supports. 1. The narrator is imaginative. 2. The narrator is observant.
- A. The narrator thinks the director looks like the music.
- B. The narrator notices the candlelight reflected off the violin.
- C. The narrator stands to the side while the ladies pass by.
- D. The narrator has a new dress for the concert.
Correct Answer & Rationale
Correct Answer: A, B
Option A supports the idea that the narrator is imaginative, as it illustrates creative thinking by comparing the director's appearance to music, showcasing a unique perspective. Option B aligns with the narrator being observant, as it highlights attention to detail by noticing the candlelight's reflection on the violin, indicating a keen awareness of the surroundings. Option C does not directly demonstrate imagination or observance; instead, it shows the narrator's position without revealing insights about their thoughts or perceptions. Option D, while mentioning a new dress, does not provide evidence of either imagination or observance, focusing instead on a superficial detail unrelated to the narrator's cognitive engagement with their environment.
Option A supports the idea that the narrator is imaginative, as it illustrates creative thinking by comparing the director's appearance to music, showcasing a unique perspective. Option B aligns with the narrator being observant, as it highlights attention to detail by noticing the candlelight's reflection on the violin, indicating a keen awareness of the surroundings. Option C does not directly demonstrate imagination or observance; instead, it shows the narrator's position without revealing insights about their thoughts or perceptions. Option D, while mentioning a new dress, does not provide evidence of either imagination or observance, focusing instead on a superficial detail unrelated to the narrator's cognitive engagement with their environment.
Other Related Questions
Burl refers to the thief as an 'artiste' in the story because
- A. the thief arranges the jars in patterns.
- B. the thief scrawls a drawing on the back of an IOU.
- C. the thief leaves beautiful objects rather than money.
- D. the thief avoids getting caught by being creative.
Correct Answer & Rationale
Correct Answer: A
Burl refers to the thief as an 'artiste' primarily because of the thief's ability to arrange the jars in visually appealing patterns (Option A). This artistic presentation elevates the act of theft to an expression of creativity. Option B, while mentioning a drawing, does not highlight the thief's overall artistic flair as effectively as the arrangement of jars. Option C suggests that leaving beautiful objects is significant, but it lacks the direct connection to artistry implied by the careful arrangement. Option D focuses on the thief's creativity in avoiding capture, which, although clever, does not specifically relate to artistry in the same way as the aesthetic arrangement of jars.
Burl refers to the thief as an 'artiste' primarily because of the thief's ability to arrange the jars in visually appealing patterns (Option A). This artistic presentation elevates the act of theft to an expression of creativity. Option B, while mentioning a drawing, does not highlight the thief's overall artistic flair as effectively as the arrangement of jars. Option C suggests that leaving beautiful objects is significant, but it lacks the direct connection to artistry implied by the careful arrangement. Option D focuses on the thief's creativity in avoiding capture, which, although clever, does not specifically relate to artistry in the same way as the aesthetic arrangement of jars.
According to paragraphs 1 and 2 of 'The Letter of the Law,' Lilly Ledbetter worked for Goodyear for nearly 20 years; however, conflict arose in 1998 when Ledbetter was nearing retirement. What can the reader infer from the information in these paragraphs?
- A. Women at Goodyear received fewer promotions than men.
- B. Male supervisors were indifferent about the salaries paid to the female supervisors.
- C. Company policy made it easier for Goodyear to violate the law.
- D. Female employees performed less strenuous tasks than their male counterparts
Correct Answer & Rationale
Correct Answer: C
The inference that company policy made it easier for Goodyear to violate the law aligns with the context of conflict arising as Lilly Ledbetter approached retirement. This suggests systemic issues that may have facilitated unfair practices. Option A, while plausible, lacks direct evidence from the text regarding promotions. Option B assumes indifference without supporting details about supervisors’ attitudes toward salaries. Option D inaccurately generalizes the nature of tasks assigned to female employees, which is not mentioned in the paragraphs and does not directly relate to the conflict described.
The inference that company policy made it easier for Goodyear to violate the law aligns with the context of conflict arising as Lilly Ledbetter approached retirement. This suggests systemic issues that may have facilitated unfair practices. Option A, while plausible, lacks direct evidence from the text regarding promotions. Option B assumes indifference without supporting details about supervisors’ attitudes toward salaries. Option D inaccurately generalizes the nature of tasks assigned to female employees, which is not mentioned in the paragraphs and does not directly relate to the conflict described.
Based on details in the article, what generalizations can be made about landfills?
- A. Communities accept landfill companies that are receptive to concerns.
- B. Landfill businesses in some communities are following the Gregory brothers' model.
- C. Legal restraints will eventually force communities to close their landfills.
- D. Recycling will eventually replace the need for landfills in all communities.
Correct Answer & Rationale
Correct Answer: A
Option A highlights the importance of communication between landfill companies and communities, emphasizing that successful operations often depend on addressing local concerns. This reflects a collaborative approach that can lead to better acceptance of landfills. Option B inaccurately suggests that all landfill businesses adopt a specific model, which may not be universally applicable across different communities. Option C presents an overly deterministic view, implying that legal constraints will inevitably lead to landfill closures, which may not be true for all regions. Option D assumes that recycling will completely eliminate the need for landfills, disregarding the reality that some waste will always require disposal.
Option A highlights the importance of communication between landfill companies and communities, emphasizing that successful operations often depend on addressing local concerns. This reflects a collaborative approach that can lead to better acceptance of landfills. Option B inaccurately suggests that all landfill businesses adopt a specific model, which may not be universally applicable across different communities. Option C presents an overly deterministic view, implying that legal constraints will inevitably lead to landfill closures, which may not be true for all regions. Option D assumes that recycling will completely eliminate the need for landfills, disregarding the reality that some waste will always require disposal.
Select the actions that the Gregory brothers have taken to connect with the surrounding community.
- A. placed cabins on their property for public use
- B. process 2,000 tons of trash each day
- C. operate an efficient landfill
- D. allow charitable groups to host fund-raising events on their property
Correct Answer & Rationale
Correct Answer: A, D, E
The Gregory brothers have actively engaged with their community by placing cabins on their property for public use (A), providing a space for recreation and connection. Additionally, allowing charitable groups to host fundraising events (D) fosters community involvement and support for local causes. Option B, processing 2,000 tons of trash daily, and option C, operating an efficient landfill, focus on waste management rather than community engagement. While these actions are essential for environmental sustainability, they do not directly connect the brothers with the community in a supportive or interactive manner.
The Gregory brothers have actively engaged with their community by placing cabins on their property for public use (A), providing a space for recreation and connection. Additionally, allowing charitable groups to host fundraising events (D) fosters community involvement and support for local causes. Option B, processing 2,000 tons of trash daily, and option C, operating an efficient landfill, focus on waste management rather than community engagement. While these actions are essential for environmental sustainability, they do not directly connect the brothers with the community in a supportive or interactive manner.