The Beekeeper
by Elizabeth Graver
Someone was stealing his honey. He had no idea how long it had been going on; he didn't keep close track of the stand. But one morning, as Burl turned into his driveway after making a delivery in town, he noticed that the jars were lined up in a neat row like soldiers standing at attention. He pulled over, figuring one of the widows must have come by, bought a jar and done a little housekeeping. He had started helping them with odd jobs after their husbands died, and now they seemed to see him as a fix-up project of their own. But when he went over and shook the cashbox, he found it empty. There were six jars that day (for some reason he counted), with three inches between each jar and their fronts perfectly aligned, the sample jar standing in front of them like their captain.
The next day he walked down the driveway with three more jars-honey from last year's flow, but people knew the season was about to start and would be stopping by. This time he found four jars set apart from one another in two neat pairs, with the sample jar off by itself.
"Looky here, an artiste," he said to Lissa, who was sniffing after something in the grass. Two jars sold, he supposed, only when he shook the cash box, he found that it was, once again, empty. “I take it back. Someone took them. Who would do that?"
It wasn't a big deal, only six dollars and each year he gave away pounds of honey anyway. Probably the person had been out of cash and would bring the money by later. At the end of the day, though, he checked again-still nothing. Anyone who knew him would have left a note scrawled on the back of a napkin or old receipt-Hi B. IOU 6. No, this visitor had fiddled around with his jars, then taken two.
That night, as he lay bored and hot in bed, he began, like Lissa with a good bone, to gnaw. It wasn't just a few missing jars that were the trouble; it was the state of things in general. You couldn't sell on an honor system anymore, not even out here. You had to wholesale to the supermarkets, but they'd only buy from Sue Bee, which mixed its honey in giant vats so the color would be the same bland shade in every jar. It was the economy, the pesticides, the land-use laws, yet the confusing thing was that it was nature, too, creatures so small you could barely see them, red specks the size of a pinhead, hairy shells with eight tenacious legs and jaws that could bring down the world.
It was opening up a hive he'd thought might make it through the winter and finding it strewn like a war zone, dead bees everywhere, the green honey uncapped, bee carcasses drying out. Aristotle had placed bees higher than humans on a scale, believing that in bees the laws of nature were expressed far more perfectly and firmly. Burl had pondered that after he read it. Did it mean that the bees' ways were simply starker, less muddied, an engine aimed entirely at the survival of the group? He wasn’t sure, knew only that over the years he had found a deep pleasure, even a comfort, in his bees.
He loved watching them in spring, seeing the field bees leave the hive and head into the fields, how they left empty and came back with their bellies full, their rear legs loaded up. He loved walking toward his bees on a July night and picking up the scent of nectar before he reached the hive. Inside, the bees were fanning water from the nectar. if he stood near enough, he could feel a draft play around his feet.
Burl refers to the thief as an 'artiste' in the story because
- A. the thief arranges the jars in patterns.
- B. the thief scrawls a drawing on the back of an IOU.
- C. the thief leaves beautiful objects rather than money.
- D. the thief avoids getting caught by being creative.
Correct Answer & Rationale
Correct Answer: A
Burl refers to the thief as an 'artiste' primarily because of the thief's ability to arrange the jars in visually appealing patterns (Option A). This artistic presentation elevates the act of theft to an expression of creativity. Option B, while mentioning a drawing, does not highlight the thief's overall artistic flair as effectively as the arrangement of jars. Option C suggests that leaving beautiful objects is significant, but it lacks the direct connection to artistry implied by the careful arrangement. Option D focuses on the thief's creativity in avoiding capture, which, although clever, does not specifically relate to artistry in the same way as the aesthetic arrangement of jars.
Burl refers to the thief as an 'artiste' primarily because of the thief's ability to arrange the jars in visually appealing patterns (Option A). This artistic presentation elevates the act of theft to an expression of creativity. Option B, while mentioning a drawing, does not highlight the thief's overall artistic flair as effectively as the arrangement of jars. Option C suggests that leaving beautiful objects is significant, but it lacks the direct connection to artistry implied by the careful arrangement. Option D focuses on the thief's creativity in avoiding capture, which, although clever, does not specifically relate to artistry in the same way as the aesthetic arrangement of jars.
Other Related Questions
What statement expresses a central theme of the excerpt?
- A. Disagreements can strain even the closest relationships
- B. Cooperative relationships allow people to grow to their full potential.
- C. Children bring strife that challenges bonds in a relationship.
- D. People in lasting relationships can still surprise each other.
Correct Answer & Rationale
Correct Answer: D
The statement that people in lasting relationships can still surprise each other captures the essence of enduring connections, highlighting the dynamic nature of relationships where individuals continue to evolve and reveal new facets of themselves. Option A, while true, focuses more on conflict rather than the positive surprises that can occur. Option B emphasizes growth but does not specifically address the element of surprise in relationships. Option C suggests that children create challenges, which may be valid but does not reflect the overarching theme of ongoing discovery within relationships.
The statement that people in lasting relationships can still surprise each other captures the essence of enduring connections, highlighting the dynamic nature of relationships where individuals continue to evolve and reveal new facets of themselves. Option A, while true, focuses more on conflict rather than the positive surprises that can occur. Option B emphasizes growth but does not specifically address the element of surprise in relationships. Option C suggests that children create challenges, which may be valid but does not reflect the overarching theme of ongoing discovery within relationships.
Which sentence from the blog supports Rodriguez's claim that the Equal Protection Clause was too narrow in scope when first adopted?
- A. The Court even confirmed its prejudicial position in 1875 when it upheld state laws that extended the right to vote only to men.'
- B. Clearly, the Court was relegating as women to a second-class status.'
- C. The 14th Amendment, which was ratified in 1868, applied only to men.'
- D. This decision remained the law until ratification of the 19th Amendment, giving us women the right to vote, 45 years later.'
Correct Answer & Rationale
Correct Answer: A
Option A highlights the Court's 1875 decision to uphold laws that restricted voting rights to men, illustrating how the Equal Protection Clause initially failed to encompass all citizens, particularly women. This directly supports Rodriguez's argument about the clause's narrow scope. Option B, while indicating the second-class status of women, does not specifically reference the Equal Protection Clause or its limitations. Option C states that the 14th Amendment applied only to men, but it lacks context about the Court's decisions and their implications. Option D discusses the timeline of women's voting rights but does not address the initial constraints of the Equal Protection Clause.
Option A highlights the Court's 1875 decision to uphold laws that restricted voting rights to men, illustrating how the Equal Protection Clause initially failed to encompass all citizens, particularly women. This directly supports Rodriguez's argument about the clause's narrow scope. Option B, while indicating the second-class status of women, does not specifically reference the Equal Protection Clause or its limitations. Option C states that the 14th Amendment applied only to men, but it lacks context about the Court's decisions and their implications. Option D discusses the timeline of women's voting rights but does not address the initial constraints of the Equal Protection Clause.
Nobody was ever hurt by goin' to a circus. Why, law me! I remember I went to one myself once, when I was little.' Based on the excerpt, which key inference about Hester do the sentences support?
- A. She has a sarcastic perspective when thinking about her past
- B. She is frustrated with her husband and sons
- C. She is worried about the overwork of her sons.
- D. She has a permissive side that contrasts with her typical sternness
Correct Answer & Rationale
Correct Answer: D
The excerpt reveals Hester's nostalgic recollection of attending a circus, suggesting a lighter, more permissive side to her character, contrasting with her usual stern demeanor. This indicates that she values joyful experiences, especially in her past. Option A misinterprets her tone; there's no sarcasm present. Option B lacks support from the text, as it focuses on her past experience rather than frustration. Option C also does not align with the excerpt, which doesn’t mention her sons' workload or express concern about it. Thus, the focus on a joyful memory highlights her more lenient nature.
The excerpt reveals Hester's nostalgic recollection of attending a circus, suggesting a lighter, more permissive side to her character, contrasting with her usual stern demeanor. This indicates that she values joyful experiences, especially in her past. Option A misinterprets her tone; there's no sarcasm present. Option B lacks support from the text, as it focuses on her past experience rather than frustration. Option C also does not align with the excerpt, which doesn’t mention her sons' workload or express concern about it. Thus, the focus on a joyful memory highlights her more lenient nature.
Which summary best describes the events found in paragraphs 1-4 of the excerpt?
- A. Don Quixote and Sancho seek to make their fortunes, and Don Quixote sees their opportunity when they discover a field of windmills. The field has thirty or forty windmills.
- B. Don Quixote and Sancho came to a field of windmills, which Don Quixote says are giants that he will destroy. Sancho tries to convince Don Quixote these are really windmills.
- C. Don Quixote and Sancho find a field of windmills. Sancho explains to Don Quixote that the wind blows the sails and turns the millstone.
- D. Don Quixote and Sancho discover a field of giants disguised as windmills. Don Quixote vows to defeat the giants, but Sancho is afraid and tries to convince Don Quixote not to fight.
Correct Answer & Rationale
Correct Answer: B
Option B accurately captures the essence of the events in the first four paragraphs, highlighting Don Quixote's misinterpretation of the windmills as giants and Sancho's attempt to reason with him. This dynamic illustrates the central conflict between reality and illusion. Option A misrepresents the characters' motivations; they are not primarily seeking fortune but rather engaging in a fantastical quest. Option C focuses too much on the mechanics of the windmills, neglecting the dramatic tension between Don Quixote and Sancho. Option D inaccurately frames the windmills as giants rather than emphasizing Don Quixote's delusion, which is critical to understanding the narrative.
Option B accurately captures the essence of the events in the first four paragraphs, highlighting Don Quixote's misinterpretation of the windmills as giants and Sancho's attempt to reason with him. This dynamic illustrates the central conflict between reality and illusion. Option A misrepresents the characters' motivations; they are not primarily seeking fortune but rather engaging in a fantastical quest. Option C focuses too much on the mechanics of the windmills, neglecting the dramatic tension between Don Quixote and Sancho. Option D inaccurately frames the windmills as giants rather than emphasizing Don Quixote's delusion, which is critical to understanding the narrative.