(1) Federico GarcÃa Lorca was 20th-century Spain's most famous poet and playwright.(2) Lorca was born on June 5, 1898, in a small town a few miles west of Granada, in southern Spain. (3) He was the oldest son of a wealthy landowner. (4) He studied literature and law at the University of Granada before turning to writing full-time. (5) In 1928, he published the most famous of all his poems, Gypsy Ballads, which used the rhythms of the traditional Spanish ballad to describe the Gypsies of southern Spain. (6) Gypsy Ballads was largely responsible for making Lorca famous throughout the Spanish-speaking world within a few years. (7) In June 1929, at a time when most young writers and painters dreamed of living in Paris, Federico Lorca broke with tradition and sailed for New York. (8) His nine months in New York changed his vision of poetry and the social role of the artist. (9) Lorca also traveled to Havana, Cuba. (10) He came to New York with the goal of learning English. (11) However, he spent most of his time writing poems in Spanish instead of studying English. (12) In 1936, Lorca left a collection of these poems, called Poet in New York, on the desk of his Madrid publisher with a note saying he would be 'back tomorrow,' probably to discuss final details. (13) He never returned. (14) Sadly, at the outbreak of the Spanish Civil War, Lorca was killed by political opponents in Granada. (15) Poet in New York was finally published in 1940.
In context, which is the best version of the underlined portion of sentence 5 (reproduced below)? In 1928 he published the most famous of all his poems. Gypsy Ballads which used the rhythms of the traditional Spanish ballad to describe the Gypsies of southern Spain.
- A. poems. Gypsy Ballads; which used
- B. poems, Gypsy Ballads, which used
- C. poems: Gypsy Ballads, which used
- D. [as it is now]
Correct Answer & Rationale
Correct Answer: B
Option B is the best choice because it correctly uses a comma to separate the main clause from the appositive "Gypsy Ballads," clarifying that it is the title of the poem being referenced. This punctuation enhances readability and maintains the flow of the sentence. Option A incorrectly uses a semicolon, which suggests a stronger separation than necessary and disrupts the connection between the two clauses. Option C employs a colon, which implies that what follows is a list or explanation, but here it is simply a title, making it inappropriate. Option D retains the original punctuation, which lacks clarity and does not effectively separate the title from the main clause.
Option B is the best choice because it correctly uses a comma to separate the main clause from the appositive "Gypsy Ballads," clarifying that it is the title of the poem being referenced. This punctuation enhances readability and maintains the flow of the sentence. Option A incorrectly uses a semicolon, which suggests a stronger separation than necessary and disrupts the connection between the two clauses. Option C employs a colon, which implies that what follows is a list or explanation, but here it is simply a title, making it inappropriate. Option D retains the original punctuation, which lacks clarity and does not effectively separate the title from the main clause.
Other Related Questions
The writer is considering adding the following sentence to the end of the fourth paragraph: 'Surprisingly, according to The Economist, there were 1.6 million commercial farms in Brazil in 2010.' Should the writer make this addition here?
- A. Yes, because it emphasizes the paragraph's focus on the economic power of large farms.
- B. Yes, because it uses concrete data to provide context about local farms and commercial farms.
- C. No, because it is unrelated to the economic challenges small farms may face.
- D. No, because it fails to show a clear connection to the paragraph's focus on supporting local farms.
Correct Answer & Rationale
Correct Answer: B
Adding the sentence enhances the paragraph by providing concrete data, which helps contextualize the discussion about local and commercial farms. It bridges the gap between the economic landscape and the realities faced by different types of farms, enriching the reader's understanding. Option A misinterprets the focus; while large farms are mentioned, the emphasis is on the economic challenges faced by smaller farms. Option C incorrectly suggests that the data is unrelated; understanding the number of commercial farms is essential to discussing the economic landscape. Option D overlooks that the data can indeed support a broader discussion about local farms by contrasting them with commercial operations.
Adding the sentence enhances the paragraph by providing concrete data, which helps contextualize the discussion about local and commercial farms. It bridges the gap between the economic landscape and the realities faced by different types of farms, enriching the reader's understanding. Option A misinterprets the focus; while large farms are mentioned, the emphasis is on the economic challenges faced by smaller farms. Option C incorrectly suggests that the data is unrelated; understanding the number of commercial farms is essential to discussing the economic landscape. Option D overlooks that the data can indeed support a broader discussion about local farms by contrasting them with commercial operations.
Which is the best version of the underlined portion of sentence 2 (reproduced below)? Supposing a store may provide benefits such as a broad range of options, a local farm can offer major advantages of its own.
- A. (as it is now)
- B. When a store supposes it
- C. Although a store
- D. A store though
Correct Answer & Rationale
Correct Answer: C
Option C, "Although a store," introduces a contrast between the benefits of a store and those of a local farm, enhancing the sentence's clarity. This structure effectively highlights the unique advantages of local farms, making the comparison more impactful. Option A maintains the original phrasing but lacks the contrast needed for a stronger argument. Option B, "When a store supposes it," introduces ambiguity and weakens the sentence by suggesting uncertainty rather than presenting a comparison. Option D, "A store though," is informal and does not establish a clear relationship between the two subjects, ultimately reducing the sentence's effectiveness.
Option C, "Although a store," introduces a contrast between the benefits of a store and those of a local farm, enhancing the sentence's clarity. This structure effectively highlights the unique advantages of local farms, making the comparison more impactful. Option A maintains the original phrasing but lacks the contrast needed for a stronger argument. Option B, "When a store supposes it," introduces ambiguity and weakens the sentence by suggesting uncertainty rather than presenting a comparison. Option D, "A store though," is informal and does not establish a clear relationship between the two subjects, ultimately reducing the sentence's effectiveness.
In the passage, the author refers to the photography technique of double exposure primarily to:
- A. Explain that Rodriguez frequently uses that technique to create eerie and distorted representations of city life
- B. Illustrate how Rodriguez's innovative use of double exposure inspired other photographers to do so as well
- C. Provide an example of how Rodriguez explored the tension between his identity as a photographer and as a scholar
- D. Set up a metaphor comparing that technique to the way Rodriguez's work depicts the duality of Los Angeles
Correct Answer & Rationale
Correct Answer: D
The reference to double exposure serves as a metaphor for the duality of Los Angeles, highlighting the complexity and contrasting elements within the city. This choice effectively encapsulates Rodriguez's artistic vision, illustrating how his work reflects both the vibrant and shadowy aspects of urban life. Option A inaccurately suggests a focus on Rodriguez's frequent use of the technique rather than its metaphorical significance. Option B misinterprets the intent, as the passage emphasizes Rodriguez's personal exploration rather than his influence on others. Option C, while relevant, does not capture the primary purpose of the metaphor, which centers on the depiction of duality rather than identity tension.
The reference to double exposure serves as a metaphor for the duality of Los Angeles, highlighting the complexity and contrasting elements within the city. This choice effectively encapsulates Rodriguez's artistic vision, illustrating how his work reflects both the vibrant and shadowy aspects of urban life. Option A inaccurately suggests a focus on Rodriguez's frequent use of the technique rather than its metaphorical significance. Option B misinterprets the intent, as the passage emphasizes Rodriguez's personal exploration rather than his influence on others. Option C, while relevant, does not capture the primary purpose of the metaphor, which centers on the depiction of duality rather than identity tension.
Tchaikovsky's Nutcracker leaves an impression on audiences: children especially remember the dazzling costumes and stirring music. Which word best completes the sentence?
- A. amorphous
- B. indelible
- C. ineffable
- D. inscrutable
Correct Answer & Rationale
Correct Answer: B
The word "indelible" effectively conveys the lasting impact that Tchaikovsky's Nutcracker has on audiences, particularly children, suggesting that the memories created are unforgettable. Option A, "amorphous," refers to something lacking a clear shape or form, which does not apply to the vivid impressions made by the performance. Option C, "ineffable," describes something too great to be expressed in words, which, while fitting in some contexts, does not specifically capture the idea of lasting memory. Option D, "inscrutable," means something that is difficult to understand or interpret, which is not relevant to the memorable experience described.
The word "indelible" effectively conveys the lasting impact that Tchaikovsky's Nutcracker has on audiences, particularly children, suggesting that the memories created are unforgettable. Option A, "amorphous," refers to something lacking a clear shape or form, which does not apply to the vivid impressions made by the performance. Option C, "ineffable," describes something too great to be expressed in words, which, while fitting in some contexts, does not specifically capture the idea of lasting memory. Option D, "inscrutable," means something that is difficult to understand or interpret, which is not relevant to the memorable experience described.