This passage is from a 2019 novel. The narrator is reflecting on a time when she was about ten years old. A ham (amateur) radio is a device for exchanging messages and requires a license to operate. (1) One day, my father brought home a pile of the parts needed to build a ham radio and asked if I wanted to help him put it together. (2) It took us a week, and we built it at our kitchen table, which meant that for that week we ate dinner on our laps in our living room. (3) After dinner, my father went straight to the kitchen table where he'd left a mess of wire and cables and vacuum tubes, and got to work. (4) I started by helping my mother clean up, but then I went over to him, leaning over the part of the radio he was working on to study the diagrams and assembly instructions. (5) Once the receiver was built, we took it into the garage and built a simple transmitter. (6) Then we studied for the radio license, quizzing each other on Morse code and electrical principles and radio wave characteristics every night. (7) My father already knew all of it from the war. (8) He'd been a radio operator as a soldier, and he told me how radio waves could go far, far out into space and how a few years ago two radio operators from opposite sides of the world had sent messages to each other by bouncing them off the moon. (9) After we received our radio licenses, we spent many nights sitting side by side in the garage, picking up radio stations and messages from other amateur radio operators. (10) There were so many messages floating around, waiting to be picked up: Are you lonely? (11) How are you? (12) What's the weather like there? (13) There were reports of shipwrecks, and messages from as far away as Canada, and we decoded each message as it arrived. (14) Nowadays, when communication is so instantaneous, I cannot help remembering with nostalgia how my father and I turned the knobs to the contraption we had built as the messages came in through our complicated machine of vacuum tubing and plumbing wire. (15) We recorded the taps as they came in—and I marveled that each tap traveled only a little bit slower than the speed of light. (16) Tap tap tap came the pulses of radio waves into our earphones, and I transcribed the taps as fast as I could into letters, watching them gather into words and then sentences. (17) It was the closest thing to performing magic that I could imagine: manipulating the radio waves that were all around us to talk to someone across the world.
The third paragraph (sentences 5–8) indicates that in the past, the narrator's father had
- A. survived a shipwreck
- B. served as a soldier
- C. failed to become a professional radio operator
- D. learned Morse code from his own father
Correct Answer & Rationale
Correct Answer: B
The third paragraph reveals that the narrator's father had military experience, indicating he served as a soldier. This aligns with option B. Option A, "survived a shipwreck," is incorrect as the text does not mention any maritime incidents. Option C, "failed to become a professional radio operator," is not supported by the text, which does not discuss any failures related to this profession. Option D, "learned Morse code from his own father," is also inaccurate since the paragraph does not reference any familial teaching of Morse code. Each incorrect option fails to connect with the details provided in the paragraph.
The third paragraph reveals that the narrator's father had military experience, indicating he served as a soldier. This aligns with option B. Option A, "survived a shipwreck," is incorrect as the text does not mention any maritime incidents. Option C, "failed to become a professional radio operator," is not supported by the text, which does not discuss any failures related to this profession. Option D, "learned Morse code from his own father," is also inaccurate since the paragraph does not reference any familial teaching of Morse code. Each incorrect option fails to connect with the details provided in the paragraph.
Other Related Questions
As used in sentence 17, 'manipulating' most nearly means
- A. cheating
- B. using
- C. plotting with
- D. carrying out
Correct Answer & Rationale
Correct Answer: B
In sentence 17, 'manipulating' refers to skillfully handling or controlling something, which aligns closely with the meaning of 'using.' This term emphasizes the active engagement and application of a tool or concept. Option A, 'cheating,' implies deceit and is unrelated to the neutral connotation of 'manipulating.' Option C, 'plotting with,' suggests a conspiratorial context, which does not fit the original intent. Option D, 'carrying out,' while somewhat related, lacks the nuance of skillful application inherent in 'using.' Thus, 'using' is the most accurate interpretation in this context.
In sentence 17, 'manipulating' refers to skillfully handling or controlling something, which aligns closely with the meaning of 'using.' This term emphasizes the active engagement and application of a tool or concept. Option A, 'cheating,' implies deceit and is unrelated to the neutral connotation of 'manipulating.' Option C, 'plotting with,' suggests a conspiratorial context, which does not fit the original intent. Option D, 'carrying out,' while somewhat related, lacks the nuance of skillful application inherent in 'using.' Thus, 'using' is the most accurate interpretation in this context.
The primary purpose of the passage is to:
- A. Trace the history of guilds in New Spain
- B. Criticize the Spanish beliefs about manual labor
- C. Describe some particular works of art created in New Spain in the 1600s
- D. Describe the influence of Spanish attitudes and practices on the painting of New Spain
Correct Answer & Rationale
Correct Answer: D
The primary focus of the passage is on how Spanish attitudes and practices shaped the artistic landscape of New Spain, specifically in painting. This influence is central to understanding the cultural exchange and evolution of art during that period. Option A is incorrect as the passage does not primarily trace the history of guilds, but rather discusses their impact on art. Option B misinterprets the passage's intent; it does not criticize Spanish beliefs but rather examines their influence on art. Option C, while mentioning art, fails to capture the broader context of Spanish influence, which is the main theme of the passage.
The primary focus of the passage is on how Spanish attitudes and practices shaped the artistic landscape of New Spain, specifically in painting. This influence is central to understanding the cultural exchange and evolution of art during that period. Option A is incorrect as the passage does not primarily trace the history of guilds, but rather discusses their impact on art. Option B misinterprets the passage's intent; it does not criticize Spanish beliefs but rather examines their influence on art. Option C, while mentioning art, fails to capture the broader context of Spanish influence, which is the main theme of the passage.
In context, the metaphor in the third sentence ('it was... years') chiefly serves to:
- A. Call attention to the age of the United States as a nation
- B. Question the literary value of the writings by Lewis and Clark
- C. Trivialize the accomplishments of the Lewis and Clark expedition
- D. Place the Lewis and Clark expedition into a broad context
Correct Answer & Rationale
Correct Answer: D
The metaphor in the third sentence effectively situates the Lewis and Clark expedition within a larger historical framework, emphasizing its significance in the broader narrative of American exploration and expansion. Option A incorrectly focuses solely on the age of the United States, neglecting the expedition's specific context. Option B misinterprets the metaphor's intent, as it does not critique literary value but rather highlights historical importance. Option C suggests a diminishing view of the expedition's accomplishments, which contradicts the metaphor's purpose of elevating its significance within American history.
The metaphor in the third sentence effectively situates the Lewis and Clark expedition within a larger historical framework, emphasizing its significance in the broader narrative of American exploration and expansion. Option A incorrectly focuses solely on the age of the United States, neglecting the expedition's specific context. Option B misinterprets the metaphor's intent, as it does not critique literary value but rather highlights historical importance. Option C suggests a diminishing view of the expedition's accomplishments, which contradicts the metaphor's purpose of elevating its significance within American history.
The main idea of Passage 1 is that academic plagiarism is:
- A. becoming a primary concern among committees that review scholars' work
- B. likely more common than it seems because suspected cases often go unreported
- C. usually undetected because the stolen materials tend to be seen by few people
- D. evolving into a source of widespread disgust among scholars at universities
Correct Answer & Rationale
Correct Answer: B
The main idea of Passage 1 emphasizes the prevalence of academic plagiarism and its underreporting, making option B the most accurate choice. This highlights the hidden nature of the issue, suggesting that many cases go unrecognized. Option A focuses on the concern of committees, which is too narrow and does not capture the broader implications of plagiarism. Option C suggests that plagiarism is undetected due to limited visibility, but it overlooks the critical aspect of unreported cases. Option D implies a shift in emotional response among scholars, which, while relevant, does not address the fundamental issue of prevalence and reporting.
The main idea of Passage 1 emphasizes the prevalence of academic plagiarism and its underreporting, making option B the most accurate choice. This highlights the hidden nature of the issue, suggesting that many cases go unrecognized. Option A focuses on the concern of committees, which is too narrow and does not capture the broader implications of plagiarism. Option C suggests that plagiarism is undetected due to limited visibility, but it overlooks the critical aspect of unreported cases. Option D implies a shift in emotional response among scholars, which, while relevant, does not address the fundamental issue of prevalence and reporting.